Mary Louise Spoor Brand - Children's Book Illustrator

 Mary Spoor Brand's illustration for Bobby and Betty With the Workers by Katharine Elizabeth Dopp, published by Rand McNally & Company, 1923. 

The Golden Age of American illustration (1880 - 1914) gave women unprecedented opportunities to be employed as illustrators. The momentum it created would benefit Mary Louise Spoor Brand of Waukegan, who became a children's book illustrator in the first decades of the 20th century. 

Mary Louise Spoor Brand (1887-1985). Ancestry.com volks1wag family tree.

Known as "Mollie" to her friends and family, Spoor was born on March 15, 1887 to Catherine Stressinger (1853-1947) and Marvin Spoor (1839-1927). Her father was an engineer for the North Western Railway, and except for an absence while serving with the 89th Illinois in the Civil War, Marvin Spoor ran a train between Waukegan and Chicago from the late 1850s until his retirement in 1902. 

Growing up in Waukegan, Mollie was surrounded by creative individuals, including her family's neighbor, Edward Amet, who was an early motion picture pioneer and inventor. See my post on Edward Amet. Mollie's brother, George K. Spoor, partnered with Amet in the motion picture business. About 1895, George featured his eight-year old sister, Mollie, in a short film of her playing with ducks.

Mollie Spoor on her high school graduation day, June 1905, at the courthouse in Waukegan. Dunn Museum Collections. 

In June 1905, Mollie graduated from Waukegan High School with "high honors" and was chosen class valedictorian for scholarship. Mollie was class treasurer and secretary of the school's drama club. The club's play that spring, "Hamlet," was held at the Schwartz Theater in Waukegan. Mollie Spoor starred as Ophelia alongside her high school sweetheart, Enoch J. Brand, who had the leading role as Hamlet. 

Waukegan High School's Class of 1905. Mollie Spoor and Enoch Brand are noted with yellow stars. 

Yearbook photo courtesy of Waukegan Historical Society. 

Schwartz Theater in Waukegan where Mollie Spoor and her high school classmates presented "Hamlet" in 1905. 
Photo 1950s. Dunn Museum Collections. 

The Waukegan Daily Sun noted that "Miss Spoor has a peculiar ability in executing pretty water colors and drawings, but she has not made any decision as to what she will do in later life." Within a year, Spoor found a path to her future career and enrolled at the School of the Art Institute of Chicago. There she excelled in illustration and portraits. 

Mary L. Spoor's illustration featured in "The Art Institute of Chicago Circular of Instruction" for 1909-1910.

In 1907, Mollie's brother, George Spoor and actor/director "Broncho Billy" Anderson, founded a motion picture studio in Chicago. The studio's name—Essanay—was a play on the founders' initials "S and A." See my post on Essanay Studios. 

Mollie Spoor's inlaid wood design for Essanay Studio's logo. In 1961, she donated the piece to the Lake County History Museum 

(forerunner of the Bess Bower Dunn Museum). 61.33.1 Dunn Museum Collections.

George asked his artistic sister to design the studio's logo. The distinctive choice of a Native American in headdress was likely George's idea, but the design was all Mollie's. Her framed piece was made of inlaid wood and hung in her brother's studio office at 1333 W. Argyle Street in Chicago. 

In June 1910, Spoor graduated from the School of the Art Institute with honors. The Waukegan Daily Sun noted that "In every respect she is the ablest artist this city ever claimed... and has won honor after honor at the Chicago Institute." 

Waukegan Daily Sun piece celebrating Spoor's accomplishments at the Art Institute, June 18, 1910. Newspapers.com

After graduation, she participated in a month-long Art Institute sketching class that went to the Eagle's Nest Art Colony in Oregon, Illinois. The colony was founded in 1898 by American sculptor Lorado Taft (1861-1936) and consisted of Chicago artists, many of whom were members of the Chicago Art Institute. 

"Bye Bye Bunting" illustration by Mary Louise Spoor, 1917. Seesaw.typepad.com.

Mollie made her home in Chicago and her art career took off. Her skill and professionalism was in great demand in the Midwest's publishing hub, where she found work with Rand McNally, Lyons & Carnahan, and Congdon Publishers. 

Jack and Jill chromolithograph by Mary Louise Spoor, 1917. treadwaygallery.com

Decades of technical advances in printing and the falling price of paper fueled the "ten-cent magazine revolution," spurring a demand for magazines such as the Ladies' Home Journal, and also children's books. In the late 19th century, books designed solely for children were brought on by the Industrial Revolution and a growing middle class with an awareness of the importance of preserving children's innocence and the benefits of play and amusement. 

At the turn of the 20th century, a burgeoning demand for artists continued, and particularly for women artists as illustrators of literature targeted to women and children. 

In the midst of this exciting time for illustrators, Mollie Spoor partnered with fellow School of the Art Institute student, Gertrude S. Spaller (1891-1970). The women became friends and colleagues, and worked together for ten years, even sharing an art studio in the tower of the Auditorium Building in Chicago. 

Chicago Auditorium Building from Michigan Avenue. Spoor and Spaller's shared studio was located in the tower. 

Photo by JW Taylor. Public domain via Wikimedia Commons. 

 

Spaller and Spoor illustrated children's readers titled, The Easy Road to Reading Primer, for Lyons and Carnahan of Chicago/New York.

The Easy Road to Reading, First Reader. This series was illustrated by Mary Louise Spoor and Gertrude S. Spaller. 

Published by Lyons and Carnahan, 1919-1925. Seesaw.typepad.com.

Illustrations by Mary Louise Spoor for The Easy Road to Reading series published by Lyons and Carnahan. Seesaw.typepad.com.

Mollie Spoor also illustrated the stories of Katharine Elizabeth Dopp (1863-1944) for Rand McNally's Bobby and Betty children's books. Dopp was a notable American educator. The Bobby and Betty series featured the fictional children at play, at work, and in the country. 

Mary Spoor Brand's illustration of "The Milkman and His Horse" written by Katharine E. Dopp for Bobby and Betty With the Workers, 1923. 

During her career as an illustrator Spoor appeared under the name Mary Louise Spoor and after her marriage to Enoch J. Brand in August 1915, she was sometimes credited as Mary Spoor Brand. 

In many ways, Mollie was ahead of her time as a career woman. Many talented women illustrators gave up their art careers when they married, a societal norm at the time. According to her wedding notice in the Waukegan Daily Sun, Mollie's art "services were in great demand" in Chicago, so much so that she postponed her wedding until she finished a project for Rand McNally. 

Ten years after their high school graduation, Mollie Spoor and Enoch Brand wed in Waukegan. 

Waukegan Daily News, August 11, 1915. Newspapers.com

Mollie and Enoch moved to Minnesota and then to Massachusetts for Brand's insurance work. Mollie temporarily set aside her career until her four sons were in school, and then returned to illustrating. 

In 1922, the family came back to Illinois. They settled in Winnetka where Spoor became an officer in the North Shore Art League (est. 1924), and continued to express herself through her love of art until her death in 1985.

Mollie Spoor's illustrations charmed a multitude of children and parents in the early decades of the 20th century. Her skill as an artist contributed to children's illustrated books being respected as an art form. Today her work has received renewed interest as vintage children's readers have become collector's items. 

Mary Spoor Brand illustration from Bobby and Betty with the Workers by Katharine Elizabeth Dopp for Rand McNally, 1923. 

- Diana Dretske ddretske@lcfpd.org

Sources: 

"Elect Club Officers," Waukegan Daily Sun, March 22, 1905. 

"Earn High Honors," Waukegan Daily Sun, June 22, 1905.

"Miss Molly Spoor Wins High Art Study Honors," Waukegan Daily Sun, June 18, 1910.

"Mary L. Spoor Becomes Bride of Enoch Brand Here," Waukegan Daily Sun, August 11, 1915. 

"Marvin Spoor Is Dead After Ailing For Over 25 Years," Waukegan Daily Sun, 1927. 

"Enoch J. Brand," Chicago Tribune, October 5, 1948. 

"Child Film Star' Mary Brand, 98," Chicago Tribune, October 31, 1985. 

- "The Art Institute of Chicago Circular of Instruction of Drawing, Painting, Modeling, Decorative Designing, Normal Instruction, Illustration and Architecture with a Catalogue for Students 1909 - 1910." Chicago: Art Institute of Chicago, 1909. 

- Smith Scanlan, Patricia. "'God-gifted girls'": The Rise of Women Illustrators in Late Nineteenth-Century Philadelphia." Nineteenth-Century Gender Studies. http://w.ncgsjournal.com/issue112/scanlan.html 

- Goodman, Helen. "Women Illustrators of the Golden Age of American Illustration." Women's Art Journal, Spring-Summer, 1987, Vol. 8, No. 1. Accessed December 1, 2021. https://www.jstor.org/stable/1358335.

- Kosik, Corryn. "Children's Book Illustrators in the Gold Age of Illustration." IllustrationHistory.org. 

- Kesaris, Paul L. American Primers: Guide to the Microfiche Collection. Bethesda, Maryland: University Publications of America, 1990. 

- Dopp, Katharine Elizabeth. Bobby and Betty With the Workers. Chicago: Rand McNally & Company, 1923. 

- Cowan, Liza, ed. "Artist: Mary Louise Spoor." SeeSaw: A Blog by Liza Cowan. February 7, 2012. https://seesaw.typepad.com/blog/artists-mary-louise-spoor/

Special thanks for research assistance to Ann Darrow, Librarian, Waukegan Historical Society www.waukeganhistorical.org; and Corinne Court, Senior Cataloging and Metadata Assistant, School of the Art Institute of Chicago. 

From Cavalry to Tanks: George S. Patton Jr.

Cavalry descending a bluff to the beach at Fort Sheridan with photographers documenting their training. Circa 1925. Fort Sheridan Collection, Bess Bower Dunn Museum 92.24.2658

The most famous cavalry officer to be stationed at Fort Sheridan was George S. Patton Jr. (1885-1945). Though the cavalryman-turned-tanker had a relatively brief stay at the Fort from 1909 to 1911, he made an indelible impression on all who encountered him. 

The U.S. Army post at Fort Sheridan (est. 1887) became known as a cavalry post with the arrival of the 7th Cavalry in 1892. 

The Fort's unique terrain was a welcome challenge for cavalry training. Cavalrymen tested their own and their horses' skills by descending the bluffs to the sandy beach, and traversing acres of uneven ground. 

After graduating from West Point in June 1909, a 24-year-old George S. Patton Jr. took a commission as a 2^nd lieutenant with the 15^th Cavalry and was stationed at Fort Sheridan near Highland Park in Lake County, Illinois. 

15th Cavalry officer, George S. Patton Jr., at Fort Sheridan, circa 1910. Fort Sheridan Collection, Bess Bower Dunn Museum 92.24.1966.

Partial lists of "officers present and absent" at Fort Sheridan, September 1909. George S. Patton Jr. (#52) is noted as having returned from leave on September 12. Ancestry.com. Returns From U.S. Military Posts, 1800-1916. Original data from National Archives and Records Administration, Record Group 94.

On May 26, 1910, Patton married his childhood friend and sweetheart, Beatrice Banning Ayer of Boston, Massachusetts. 

Lt. George S. Patton Jr. and Beatrice Banning Ayer on their wedding day, May 26, 1910. WikiTree.com

Wedding details as published by the Boston Globe on May 27, 1910. Newspapers.com

After a month-long honeymoon, the newlyweds made their home at Fort Sheridan. The Boston Globe, May 27, 1910. Newspapers.com.

As a married officer, Patton was assigned to new quarters in Building 92 on Leonard Wood Avenue East. On March 19, 1911, the couple welcomed their first child, Beatrice Ayer Patton, who was born at Fort Sheridan. 

Building 92 on Leonard Wood Avenue East (north of Martin's Lane) where Cavalry officer, George S. Patton Jr., his wife Beatrice and baby daughter Beatrice lived on the north side of this duplex. Fort Sheridan Collection, Bess Bower Dunn Museum, 95.32.68. 

A story relayed by the Ray Family of Diamond Lake (near Mundelein) is that Patton would come for Harriet Rouse Ray's famous chicken dinners on Sundays at the Ray's Lakeside Cottage. Patton arrived on horseback and in uniform, of course.

According to biographer, Ladislas Farago, Patton and his wife were known at the Fort as the "Duke and Duchess." Patton was independently wealthy, and the couple enjoyed dressing up for dinner, driving expensive automobiles, and were both equestrians. Chicago Tribune, October 25, 1964. 

Lt. George S. Patton Jr. on the porch of his Army residence at Fort Sheridan (Building 92), circa 1910. Fort Sheridan Collection, Bess Bower Dunn Museum, 92.24.2020.

At Fort Sheridan, Patton impressed his superiors and was known as a hard-driving leader. 

In late 1911, he was transferred to Fort Myer, Virginia, where he would come to know many of the Army's senior leaders. 

Patton (right) fencing in the 1912 Summer Olympics held in Stockholm, Sweden. He finished fifth overall in the modern pentathlon.  Swedish Press photo, public domain. Wikipedia.

In 1917, Patton joined General John J. Pershing's staff for the American Expeditionary Force (AEF) in World War I. While in France training American infantry troops, Patton became interested in tanks. His new military path quickly developed as he advocated for the development of a tank corps. When the 1st Tank Brigade was created, Patton was placed in charge. Along with British tankers, he and his men achieved victory at Cambrai, France, during the world's first major tank battle in Nov-Dec, 1917.

During World War II, Patton was the Army's leading strategist in tank warfare. He commanded the Western Task Force in the Allied invasion of North Africa in November 1942, the Seventh Army during the invasion of Sicily in July 1943, and was given command of the Third Army in France in 1944. 

An imaginative, shrewd, and often undiplomatic military commander, Patton is remembered as one of the most brilliant and successful generals in United States history. While his military genius in tank warfare was put to the test on Europe's battlefields, Fort Sheridan will always be Patton-the-cavalryman's first Army post.

- Diana Dretske ddretske@lcfpd.org

The Dairy Queen: Grace Garrett Durand

Grace Garrett Durand with her cows. Crab Tree Farm, circa 1910. lflb.passitdown.com

Grace Garrett Durand (1867-1948), founder of Crab Tree Farm in Lake Bluff, Illinois, was one of the most forward thinking dairy farmers of her day. Through her philanthropic nature and society connections she advanced children’s health and the production of clean milk.

Durand was born in Burlington, Iowa to Martha Rorer and William Garrett. Grace’s ties to the Chicago area likely began with her brother’s marriage to Miss Ada Sawyer in 1884. Ada was the daughter of one Chicago's “pioneer druggists,” Dr. Sidney Sawyer. 

In February 1888, Ada Sawyer Garrett and her mother, Elizabeth Sawyer, gave Grace an “elegant reception" at their home. This may have been Grace’s formal introduction to Chicago society. In the following years, Chicago’s Inter Ocean newspaper would note Dr. and Mrs. Sawyers’ travels with Miss Grace Garrett as their guest. 

Society page notice of the reception in honor of Grace Garrett. The Inter Ocean, Chicago, February 5, 1888.

Grace had quickly become the darling of social circles for her “sweet winning face and vivacious manner.” The Sawyers took her to New York where they stayed at the Windsor Hotel, and wintered together at the famed luxury resort, the Hotel Alcazar—today’s Lightner Museum—in St. Augustine, Florida.

On news of her mother’s declining health, Grace returned home to Iowa to care for her. Martha Garrett died in February 1893.

In April 1894, Grace married wealthy sugar broker, Scott Sloan Durand of Lake Forest. Their wedding was held in Burlington, Iowa “in the presence of a brilliant assemblage of invited guests.” Grace’s maid of honor was the famous watercolor artist and illustrator, Maud Humphrey (1868-1940) of New York. Today, Maud is better known as the mother of Hollywood legend, Humphrey Bogart.

Sketch of Grace Garrett for an article titled, "Two Fond Hearts United," on the occasion of her marriage to Scott Durand. 

Inter Ocean, Chicago, April 6, 1894.

The Inter Ocean reported that the bride wore a “Queen Louise gown of white satin… and a white veil trimmed in duchesse lace.” At this point in her life, Grace was considered a “lady of fashion.” Within a few years, newspapers would spend less time talking about her clothes and more about her leadership qualities.

The newlyweds returned to Lake Forest and in 1896 built a new home on 20 acres at the northeast corner of Sheridan Road and Crabtree Lane. When Lake Forest held its first election for the Board of Education in May 1897, Durand was motivated to run. This was also the first time Lake Forest women could vote. Grace Durand and Miss Mary Neimeyer were elected to the board. 

At the turn of the century, Durand shifted her focus to dairy farming as she became aware of infant mortality rates in Chicago linked to contaminated milk. Impure milk was a problem that had been combatted with varying success for centuries, but with the rapid growth of cities the problem was exacerbated. Inspired by her mother’s example of helping others, Grace saw a desperate need to provide clean milk to children.

In 1904, Durand established Crab Tree dairy farm on her Lake Forest property. However, her neighbors were not enamored of having a dairy herd in the neighborhood. Some complained of the “odor and flies” and that the herd’s “bawling” kept them awake at night. 

Artist's fanciful illustration of Grace Durand astride one of her dairy cows. Washington Herald, November 28. 1915.

In 1906, the Durands’ purchased 256-acres, formerly owned by Judge Henry W. Blodgett, on Sheridan Road north of Lake Bluff. Grace marched her cows up the road to the new farm. Her dairy operation was celebrated in newspapers across the nation. The New Castle Herald noted that Durand sold: “the purest of milk… at a profit in air tight silver jugs.” Grace even enrolled in a farmer’s ten-day course at the Wisconsin University College of Agriculture in Madison, WI.
 
An article in Pearson’s Magazine explained how Grace’s visit to Chicago's “tenement district revealed… most of the infant mortality was due to the want of nourishment, which meant good milk, and that good milk was a rare commodity, difficult to procure, even at exorbitant prices.” Durand used the profits from selling milk and thick cream to Chicago’s most select hotels, restaurants and tea rooms to support needy children.

In 1910, several buildings on her farm were lost to fire. Durand "tearfully" sold her herd, because she could not get barns built before winter. The Durands commissioned Chicago architect, Solon S. Beman (1853 - 1914) to design her new ideal model dairy farm. It was the only farm complex Beman designed.

Crab Tree Farm buildings designed by Solon S. Beman and Durand's new herd of cows, circa 1911. Private collection. 

 
Durand was known to pamper her cows and referred to them as her "pets." She enlisted the unusual method of playing opera music while the cows were milked. Grace claimed the music made the cows happy and consequently their milk tasted better and was more nutritious. 

With her success in raising standards in dairying, Durand began to be called the “dairy queen.” 

Dairy farmers were eager to learn the "dairy queen's" methods at the Farmer's Institute

 in Edwardsville, IL. Mantoon Journal Gazette, February 17, 1910.

 

She became a popular lecturer at farmers’ institutes across the Midwest, sharing her experiences in dairy work, and belief in hygienic and systematic methods to enhance dairy products. Her “charming manner and decisiveness impressed” all who heard her. 

Unfortunately, Durand had setbacks in her dairy operations. In fall 1915, her herd was confirmed to have Foot and Mouth Disease, a highly infectious viral disease of hooved animals. Crab Tree Farm was one of many in the region suffering from the disease. Durand fought the diagnosis through litigation, but lost her legal battle in the Illinois Supreme Court. Consequently, the herd was destroyed. Of course, the tenacious Durand began again. 

In addition to dairy farming, Durand supported the prevention and treatment of Tuberculosis. She was one of the incorporators of the Lake County Tuberculosis Institute (Waukegan) in October 1908, along with Dr. Elva A. Wright (1868-1950) of Lake Forest. 

In July 1932, the Durand family made news when their adopted son Jack Durand received a letter threatening to kidnap his 2-year old daughter unless he handed over $50,000 (nearly $1 million today).

Grace Durand outwitted criminals in a plot to kidnap her grandchild. 

The Times, Streator, Illinois. July 12, 1932.

The police were notified of the threat and waiting at Jack Durand's home. However, the would-be kidnappers went mistakenly to Grace Durand's home at Crab Tree Farm and asked for him. A "quick thinking" Grace told them that Jack would be home soon and they should have a seat on the porch to wait. Meanwhile, she phoned the police. Perhaps it was her persuasive personality, but oddly enough the thugs waited as suggested and were rounded up when the police arrived. 

Grace was also a Temperance advocate and member of the Lake Bluff chapter of the Women’s Christian Temperance Union. It was more than a little embarrassing when her husband Scott Durand was indicted for selling 30 million pounds of sugar (from 1929 to 1932) to persons who used it to manufacture liquor.

Grace Durand as featured in Harper's Weekly, May 9, 1914.

Dairy operations ceased when Grace Durand died on February 26, 1948. During her lifetime she was recognized as one of the “most powerful leaders in the milk crusade.” 

Following Durand's death, William McCormick Blair (1884-1982) and his wife, Helen Bowen Blair (1890-1972), purchased Crab Tree Farm. The Blairs association with Durand had begun in 1926, with the purchase of 11-acres of the farm overlooking Lake Michigan. 

Since 1985, Durand’s Crab Tree Farm has been owned by the John H. Bryan family. The property is still a working farm, and the original historic buildings have been renovated and now display collections of American and English Arts and Crafts furniture and decorative arts.

Special thanks to Laurie Stein, Curator at the History Center of Lake Forest-Lake Bluff, for additional research and enthusiasm for this topic. 

- Diana Dretske ddretske@lcfpd.org

Sources:

Ancestry.com

Findagrave.com

Crab Tree Farm, crabtreefarmcollections.org

History Center of Lake Forest-Lake Bluff, lflbhistory.org

Olmstead, Alan L. and Paul W. Rhode. Arresting Contagion: Science, Policy, and Conflicts Over Animal Disease Control. Harvard University Press, 2015.

“Garrett, Timothy M.” Chicago City Directory, 1882.

“Past Pleasures.” The Inter Ocean, Chicago, Illinois, February 5, 1888.

“Durand—Garrett.” The Daily Leader, Davenport, Iowa, April 1, 1894.

“Two Fond Hearts United.” The Inter Ocean, Chicago, Illinois. April 6, 1894.

American Druggist and Pharmaceutical Record, Vol. 25. 1894.

“Lake Forest Dames Vote: Five Run for Office and Two Win at the Ballot.” Chicago Daily Tribune, May 9, 1897.

“Mrs. Scott Durand a Student.” Chicago Tribune, Chicago, Illinois. February 5, 1908. 

“Dairy Queen Is To Speak.” Journal Gazette, Mantoon, Illinois. February 17, 1910.

Saint Maur, Kate V. “Mrs. Scott Durand - Milk Woman.” Pearson's Magazine, July 1910.

“Mrs. Durand Tearfully Orders Dairy Pets Sold.” The Inter Ocean, Chicago, Illinois. November 8, 1910.

“Mrs. Durand: A Twentieth Century Product.” Harper's Weekly, May 9, 1914.

“The Gentile Woman Farmer and Her Fight to Save Her $30,000 Herd.” Washington Herald, Washington, D.C. November 28,    1915.

“3 Suspects in Kidnaping Plot.” The Times, Streator, Illinois. July 12, 1932.

“Arrests Nip Durand Baby $50,000 Kidnapping Plot.” Chicago Daily Tribune, July 13, 1932.

“Wealthy Broker, Mate of Rum Foe, Indicted by U.S." The Decatur Daily Review, Decatur, Illinois, February 17, 1933.

Private Henry McIntosh, 102nd U.S. Colored Troops

Battle flag of the 102nd U.S. Colored Troops (1st Michigan), presented to the regiment by the Colored Ladies Aid Society on January 5, 1864. Henry McIntosh served in Company G. Image source: capitol.michigan.gov. 

Henry McIntosh (1843-1915) of Lake Forest, Illinois, served with the 102nd U.S. Colored Troops (1st Michigan) from February 1864 to October 1865. 

McIntosh was born enslaved on a plantation in Kentucky. When war erupted on April 12, 1861, he was made a horse wrangler for the Confederate army, but wanted no part in the South’s fight to save the institution of slavery. After several months, McIntosh saw a chance for freedom and crossed the Ohio River into a bordering free state.

Gateway to Freedom: International Memorial to the Underground Railroad by Ed Dwight, Sculptor. Dedicated in Detroit, Michigan on October 20, 2001.

According to his family, McIntosh made his way via the secret network of abolitionists and safe houses known as the Underground Railroad. Many freedom seekers who headed north continued onto Canada, but McIntosh stopped in Detroit, Michigan where there was an established African American community.

On January 1, 1863, President Lincoln’s Emancipation Proclamation took effect, freeing all enslaved people in the Confederacy. The intention was to cripple the Confederacy’s use of this labor source to support their armies and home front; something that Henry McIntosh had experienced firsthand.

In July 1863, U.S. Secretary of War, Edwin M. Stanton, authorized the State of Michigan to “raise one Regiment of colored Infantry.” The order stated that these men would not receive a bounty for enlisting, but would be paid “ten dollars per month.” They would also be “commanded by white officers.”

Between August 1863 and February 1864, a total of 895 men from across Michigan signed the rolls for the new regiment. The unit received its commission into the service of the United States as the First Michigan Colored Infantry on February 17, 1864. Its' designation changed to the 102nd U.S. Colored Troops/Infantry (USCI) on May 23. Henry McIntosh served as a private in Company G.

McIntosh was particularly proud that the 102nd USCI were part of the forces supporting Maj. Gen. William T. Sherman’s March to the Sea (November 15 - December 21, 1864), a campaign that led to the eventual surrender of the Confederacy. The 102nd served on picket duty, built fortifications, destroyed rail lines, and engaged the enemy.

After the war's end in Spring 1865, the process of Reconstruction began to redress the inequities of slavery and help the South become part of the Union again. Federal troops, including Henry McIntosh with the 102nd USCI, were sent to Charleston, South Carolina to keep order. 

The presence of African American soldiers caused provisional governors of Southern states to complain that “the black troops are a great nuisance & do much mischief among the Freed men.” The uniformed and armed African American troops made for a powerful image, undoubtedly generating pride in Freedmen and fear in Secessionists. 

Pressure from the governors prompted the War Department to muster-out the Black troops and send them home, essentially removing their presence from Southern states. The 102nd mustered-out September 30, 1865. They arrived in Detroit, Michigan on October 17 and received their final pay and discharge.

Shortly thereafter, Henry McIntosh made his way to Lake County, Illinois, seeking new opportunities, and settling in Lake Forest. One attraction to the area was the number of African Americans living there. This is likely where he met Sarah Martin, whom he married in 1869. According to the 1870 Census, there were eight African American households, totaling 30 people, in Shields Township/Lake Forest. 

View of 1870 U.S. Census data for Henry McIntosh, misspelled "Mackintosh" and his wife Sarah. Ancestry.com.

Henry McIntosh was an active community member, and became one of the organizers of the African Methodist Episcopal Church. Organized in 1866, the church was constructed in 1870 at the present corner of Maplewood and Washington Road. McIntosh had a lifelong association with the church. 

Notice from the The Lake Forester August 1, 1903, showing Henry McIntosh as superintendent at the Bethel A.M.E. Church. McIntosh is credited as one of the organizers of this church. 

McIntosh worked as a laborer, and later as a coachman and gardener on a private estate. Sarah and Henry had no children. Sadly, on May 30, 1884, Sarah died.

Over one year later, on July 14, 1885, Henry married Fannie Davis Freleigh (1867-1960). 

Fannie was born in Missouri in 1867 to Sarah and Charles Davis. Her father was a plasterer by trade, and in the late 1870s he moved the family to Oshkosh, Wisconsin. As the oldest of eight children, Fannie helped the family by working outside the home as a house servant for the Earle Moses family. Moses was a buyer and seller of wood in Oshkosh’s lumber industry.

Between 1880-1885, Fannie came to Lake Forest and was employed in the household of Rev. Daniel S. Gregory (1832-1915), the president of Lake Forest University. 

Henry and Fannie lived on Washington Road and had nine children: William W., Etta (Mrs. Andrew Smith), Clarence, Peter, Euphemia (Mrs. Henry Walker), Arnett, Lillian, Lutie E. (Mrs. William Slaughter), and Wayman H. 

Photo detail of Henry McIntosh in 1899. Bess Bower Dunn Museum, 64.39.2. 

The above photograph from the Dunn Museum's collections was taken on August 29, 1899, at the dedication of the Lake County Civil War monument in Waukegan. This cropped image shows an African American Civil War veteran. 

Is this man Henry McIntosh? Post update 8/19/21 - When I researched this post months ago, I strongly suspected, but could not be 100% certain that the veteran's identity was Henry McIntosh. Today, I received an email from his great-great granddaughter, Bonnie McIntosh, to let me know that her great aunt, Maxine McIntosh (Henry's granddaughter), confirmed that he is Henry. I am so grateful for this information and to make a connection with his descendants. Thank you! 

Another view of the photograph of veterans at the dedication of the Civil War monument in Waukegan. Henry McIntosh is right of the drummer and marked by a red star. Dunn Museum 64.39.2.

There is no list of names for the men in this photograph, making it difficult to ascertain their identities. Of the African American men who lived in Lake County and are known to have served in the Civil War, McIntosh was the only one active in veterans' associations. George W. Bell (1816-1910) was an African American Civil War veteran with Company B, 40th U.S. Colored Infantry. After the war, he lived in Waukegan, but was noted for refusing to have any photographs taken and his name does not appear in veterans' records. Newport Township Historical Society has identified another African American veteran, Samuel Killerbrue (c1833 - c1897), who served in Co. K, 1st Tennessee Colored Troops. Killerbrue lived near Wadsworth from about 1866 to mid-1880s with his wife and children. 

McIntosh was a member of the Lake County Soldiers and Sailors Association. He was noted in the Association's records (below) as attending the August 1913 reunion in Waukegan. From this record, we know that he participated in veterans' reunions. 

Ledger entry noting Civil War veterans, including Henry McIntosh (bottom), who attended the Lake County Soldiers and Sailors Association reunion in August 1913. McIntosh was 70-years old. Dunn Museum 74.19.16.

Henry McIntosh's service during the Civil War inevitably inspired his children and grandchildren to serve their country: 

Son, Clarence Nathaniel McIntosh (1889-1963) served as Sergeant Major with the 351st Field Artillery during World War I; son, Wayman Hillis McIntosh (1900-1982), an athletic trainer at Lake Forest College, volunteered as air raid warden during World War II; grandson, Henry Nathaniel McIntosh (1923-1980) served as lieutenant in the U.S. Navy during the Korean War; and grandson Clarence Pearson McIntosh (1925-1999) served as a lieutenant in the U.S. Navy. 

Henry McIntosh's grave marker at Lake Forest Cemetery. Findagrave.com.

Henry McIntosh died on August 3, 1915, leaving a legacy of service to his community and the nation. 

- Diana Dretske ddretske@lcfpd.org

Special thanks to Laurie Stein, Curator, History Center of Lake Forest-Lake Bluff, for research assistance. lstein@lflbhistory.org 

Sources: 

Ancestry.com (1870, 1880, 1900-1940 U.S. Census; World War I/II registration cards, Lake Forest city directories). 
FindAGrave.com.
Bess Bower Dunn Museum. Lake County Soldiers and Sailors Association Collection, and G.A.R. Photo Collection. https://www.lcfpd.org/museum/collections/. 
History Center of Lake Forest-Lake Bluff www.lflbhistory.org. 
Detroit Historical Society www.detroithistorical.org. 
Michigan in the War web.archive.org. 
https://web.archive.org/web/20030724204008/http://www.michiganinthewar.org/infantry/1colora.htm
"Lake Forester Deserts Confederacy, Marches With Sherman's Army to Sea." Uncited, July 27, 1961. 
"African American History in Lake Forest: A Walking Tour," Lake Forest College, 1997. 
"DAVIS." The Oshkosh Northwestern, Oshkosh, Wisconsin. July 2, 1931. Roy Davis obituary, brother of Fannie McIntosh. 
"Revival of Democracy." Clarion-Ledger, Jackson, Mississippi, June 14, 1942. Lists air raid wardens in Chicago's Division 8, including Wayman McIntosh of Lake Forest, Illinois. 
Robertson, Jno. Michigan in the War. Lansing: W.S. George and Company, State Printers and Binders, 1882. Michigan's Adjutant General's Department reports. https://archive.org/details/michiganinwar00mich/page/n7/mode/2up. Accessed February 12, 2021.
Dobak, William A. Freedom by the Sword: The U.S. Colored Troops, 1862-1867. Washington, D.C.: Center of Military History United States Army, 2011.
Arpee, Edward. Lake Forest Illinois: History and Reminiscences 1861-1961. Lake Forest, Illinois: Rotary Club of Lake Forest, 1963.
Halsey, John J. A History of Lake County, Illinois. Illinois: Roy S. Bates, 1912. 
Lake County (IL) Genealogical Society. “Lake County, Illinois Marriages 1881 to 1901,” Volume III. Libertyville, Illinois.